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CANT HEAR FARRAGO SOUND EFFECTS TV

Also, resist the temptation to turn the overall volume way up. Presets especially don't always do what they say, but they usually do something. Explore the internal audio menus, and don't even worry about what the menu says they're for. Some even have options for emphasizing dialogue. You may also want to try different modes, such as turning surround off, or going with simple stereo or mono to get everything on fewer channels. Some allow you to directly play with the dynamic range and emphasize different parts. Some have presets for different types of viewing (sports, talk, movie, etc.).

CANT HEAR FARRAGO SOUND EFFECTS TV

Your TV will probably have various options for tweaking the audio in its menus. Try adjusting the audio settings on your TV (if that is the main set of speakers that you listen on).It may not fix every show, and you may have to make different adjustments for different programs, but you can at least try some of these measures: But there are a few things you can look into to help your plight. So what can you do? Most of these things, especially the sound mix itself, are out of your control. Because there are so many options, one may override or cancel out some of the others, resulting in a less than optimal mix. Your settings: Your TV, cable/satellite box, receiver, and each element of your audio system all have their own settings.This bass end is more likely to be part of the music or sound effects than dialogue, and parts of the sonic components of dialogue can be lost. Also, as we get older, and as the instrument that is our ears gets used and abused over time, the ability to hear the higher end of the range diminishes and the lower/bass end can feel emphasized. Some people pick up different parts of the sonic range better than others. Your own hearing: We all have different hearing ability just as we all have different eyesight.Speakers can be focused on a specific area and tuned to a room.

Your seating position: Audio systems are made to be listened to from a specific position for optimal performance.

In a system designed for surround sound, the absence or incorrect integration of a central sound bar can make the dialogue much harder to hear, as can listening to it without the system type the mix was designed for. Each of those components have a different part of the sound range they are responsible for, and their relative balance is important.

Modern sound mixes are designed to be heard on surround sound systems that feature anywhere from 4 to 12 speakers. Your speaker arrangement: Though it's part of the sound system mentioned above, it bears calling out on its own.And how you've adjusted your system can affect how easy or hard it is to hear the dialogue. The audio mix is optimized to a totally different set of equipment than than you are listening on. And if you use a home theater audio system, this is another variable in what you hear. Your TV and sound system: Every television has different speakers of different quality geared towards reproducing different kinds of sounds.Sometimes the difficulty in hearing things comes from them trying to smooth out this patchwork quilt of sound and hide the edits.

Also, it makes the overall dialogue sequence uneven and hard to mix so that it all sounds like one smooth thing. In TV, this is done more hastily than in films, and isn't always finessed. Basically they have the actors record a lot of the lines of dialogue in a studio after the actual shoot in case they need to replace any of it during the edit.

ADR: This stands for "automated dialogue replacement', "additional dialogue replacement", or "additional dialogue recording", depending on whom you ask.

This can become even more complicated by the fact that they are often using "ADR".

The time frame: TV production tends to be very rushed compared to feature films, and they often spend less time perfecting the dialogue's equalization.

So they tend to err on the side of emphasizing sound effects, music and all the non-dialogue elements of the soundtrack.

What the soundtrack is trying to accomplish: When they do a sound mix, the artists mentioned are mostly concerned with things like emotion and action, and keeping things dynamic.

It's basically a function of the nervous system and how you process language and sound. This makes it much easier for them to understand the dialogue even when the relative levels are too low for a novel viewer to understand. So they know what the characters are saying. Further, they've also read the script many times.

The actual audio mixers of the TV shows: As Kenneth van der Walt so insightfully mentioned, the audio mixer(s), director, editor, composer, sound designer and other creative personnel involved with doing the final mix of the show have already heard the dialogue dozens (and maybe hundreds) of times.